This piece is available. Click here to purchase.
Tile Paintings as an altered book created from a book published by The Victoria & Albert Museum. The V&A Museum, established in 1852, is the world’s leading museum of art and design.
The museum’s opening followed the very successful Great Exhibition of 1851. Held in the purpose-built Crystal Palace and organized by Henry Cole and Prince Albert, it was the first international exhibition of manufactured products. Its founding principle, and one which is followed to this day, was to make works of art available to all, to educate working people and to inspire British designers and manufacturers.
To this end, the V&A publishes about 30 books annually, working jointly with Penguin Random House and Thames and Hudson. In addition to promoting research, knowledge and enjoyment of the designed world, the publications generate profit for the museum. Current publications range from a charming children’s story by Jack Townend (A Story about Ducks $8US) to a Vivienne Westwood Opus Manifesto limited edition ($2700US).
The Colour Book series (published from 1985-1989) includes titles such as Decorative End Papers (1985), Patterns for Papers (1987), Japanese Stencils (1988), Novelty Fabrics (1988) and Ikats (1989). I have altered two books from this series, Tile Paintings (from Series 1 of the Colour books), and Indian Floral Patterns (also from Series 1). You can read my post about Indian Floral Patterns here.
The books are a lovely size to work with (8 x 5.5 x .5); each of the pages richly colored and most with little or no text. Tile Paintings piece is a pairing of the published book with four tile shards that were gifted to me years ago by a fellow scavenger.
Four shaped holes (roughly following the shape of the shards) have been cut through the cover and all of the pages; in the recesses rest the shards. The shards are protected when the book is closed with mica laminated in between the first end page and first few pages of the text block.
With a mix of PVA and methyl cellulose, I laminated several pages together, leaving me with four double-page spreads to work with. Hundreds of paper cut outs in various shapes and sizes (the cut outs based on the recessed shapes using full-color reproductions taken from the book’s pages) are collaged onto the individual pages, obliterating the text. Areas in between the collaged bits are hand painted with gouache and acrylic inks. Although the book stays closed on its own, there is an additional magnetic/ribbon closure.
I typically create a utilitarian single tray, drop-spine box for my artists’ books; for Tile Paintings I stepped up from the strictly utilitarian and created a box with the same color-reproductions lining the inside.